片名：残酷
关键词：残酷免费在线观看
电影类别:恐怖片
发行年份：2018
首映地区：日本
导演：广濑贵士
演员：Katrina Grey,仁科贵,亚矢乃,Naho Nakashima,Butch,Nanako Ohata
更新时间：2024-04-22 03:42
《残酷》讲述的是什么故事？
Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
10、《残酷》是哪一年上映的？
《残酷》是广濑贵士于2018年拍摄的一部经典恐怖片。此片开创日本当代恐怖片的先河，《残酷》上映时票房稳坐前三，创下当年纪录。当时Katrina Grey,仁科贵,亚矢乃,Naho Nakashima,Butch,Nanako Ohata均为最佳主角，Katrina Grey,仁科贵,亚矢乃,Naho Nakashima,Butch,Nanako Ohata以精彩演技和突出形象，奠定在日本影坛地位。Katrina Grey,仁科贵,亚矢乃,Naho Nakashima,Butch,Nanako Ohata饰演角色造型多年后仍为人所模仿。广濑贵士之前曾被人怀疑其能力，而《残酷》却奠定广濑贵士电影风格。《残酷》首映时曾获海外恐怖片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1980年代）好莱坞（好莱坞）优秀恐怖片齐名。
11、被称为恐怖片的开先河之作的《残酷》，是广濑贵士最好的作品吗?
从广濑贵士斩获恐怖片最佳导演 我就觉得这部《残酷》是他最好的电影。虽然广濑贵士后来还拍出来了评价特别好的电影，但是《残酷》是他电影的代表作品。
12、《残酷》为什么可以成为经典？
提起日本电影，人们就肯定会说出《残酷》的名字。这部由广濑贵士导演，Katrina Grey,仁科贵,亚矢乃,Naho Nakashima,Butch,Nanako Ohata主演的《残酷》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连广濑贵士导演和Katrina Grey,仁科贵,亚矢乃,Naho Nakashima,Butch,Nanako Ohata，都没想到这部恐怖片会得到这样好的反响。广濑贵士先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《残酷》开拍之前，Katrina Grey,仁科贵,亚矢乃,Naho Nakashima,Butch,Nanako Ohata已经有4年无戏可拍，而Katrina Grey,仁科贵,亚矢乃,Naho Nakashima,Butch,Nanako Ohata主演的电影，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在电影中投入的热情，是我们难以想象的，其实《残酷》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典恐怖片，也成就了他们自己！
21、如何评价《残酷》?
《残酷》口碑非常好深受广大观众喜爱，《残酷》一经播放立刻引来无数人点赞，不仅Katrina Grey,仁科贵,亚矢乃,Naho Nakashima,Butch,Nanako Ohata演的好而且该电影故事情节也非常紧凑，西瓜影院（http://www.szjiaheng.com）观看起来特别流畅同时还能扣人心弦，虽然目前《残酷》收视率一般但是该片目前受欢迎程度已经名列前茅。该剧主演Katrina Grey,仁科贵,亚矢乃,Naho Nakashima,Butch,Nanako Ohata，她在该剧中的演技可圈可点，受到Katrina Grey,仁科贵,亚矢乃,Naho Nakashima,Butch,Nanako Ohata演的好而且该电影迷的认可。
27、《残酷》电影的主要内容
《残酷》是一部恐怖片电影，由导演：广濑贵士执导，主演：Katrina Grey,仁科贵,亚矢乃,Naho Nakashima,Butch,Nanako Ohata，
Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
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