片名：荣耀六十年
关键词：荣耀六十年免费在线观看
电影类别:剧情片
发行年份：1938
首映地区：英国
导演：Herbert,Wilcox
演员：Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla
更新时间：2024-05-11 16:45
《荣耀六十年》讲述的是什么故事？
Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
10、《荣耀六十年》是哪一年上映的？
《荣耀六十年》是Herbert,Wilcox于1938年拍摄的一部经典剧情片。此片开创英国当代剧情片的先河，《荣耀六十年》上映时票房稳坐前三，创下当年纪录。当时Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla均为最佳主角，Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla以精彩演技和突出形象，奠定在英国影坛地位。Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla饰演角色造型多年后仍为人所模仿。Herbert,Wilcox之前曾被人怀疑其能力，而《荣耀六十年》却奠定Herbert,Wilcox电影风格。《荣耀六十年》首映时曾获海外剧情片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1980年代）好莱坞（好莱坞）优秀剧情片齐名。
11、被称为剧情片的开先河之作的《荣耀六十年》，是Herbert,Wilcox最好的作品吗?
从Herbert,Wilcox斩获剧情片最佳导演 我就觉得这部《荣耀六十年》是他最好的电影。虽然Herbert,Wilcox后来还拍出来了评价特别好的电影，但是《荣耀六十年》是他电影的代表作品。
12、《荣耀六十年》为什么可以成为经典？
提起英国电影，人们就肯定会说出《荣耀六十年》的名字。这部由Herbert,Wilcox导演，Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla主演的《荣耀六十年》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连Herbert,Wilcox导演和Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla，都没想到这部剧情片会得到这样好的反响。Herbert,Wilcox先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《荣耀六十年》开拍之前，Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla已经有4年无戏可拍，而Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla主演的电影，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在电影中投入的热情，是我们难以想象的，其实《荣耀六十年》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典剧情片，也成就了他们自己！
21、如何评价《荣耀六十年》?
《荣耀六十年》口碑非常好深受广大观众喜爱，《荣耀六十年》一经播放立刻引来无数人点赞，不仅Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla演的好而且该电影故事情节也非常紧凑，西瓜影院（http://www.szjiaheng.com）观看起来特别流畅同时还能扣人心弦，虽然目前《荣耀六十年》收视率一般但是该片目前受欢迎程度已经名列前茅。该剧主演Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla，她在该剧中的演技可圈可点，受到Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla演的好而且该电影迷的认可。
27、《荣耀六十年》电影的主要内容
《荣耀六十年》是一部剧情片电影，由导演：Herbert,Wilcox执导，主演：Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla，Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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