片名：卧龙战警
关键词：卧龙战警免费在线观看
电影类别:动作片
发行年份：1992
首映地区：美国
导演：比尔·杜克
演员：劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯
更新时间：2024-05-08 01:45
《卧龙战警》讲述的是什么故事？
Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
10、《卧龙战警》是哪一年上映的？
《卧龙战警》是比尔·杜克于1992年拍摄的一部经典动作片。此片开创美国当代动作片的先河，《卧龙战警》上映时票房稳坐前三，创下当年纪录。当时劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯均为最佳主角，劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯以精彩演技和突出形象，奠定在美国影坛地位。劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯饰演角色造型多年后仍为人所模仿。比尔·杜克之前曾被人怀疑其能力，而《卧龙战警》却奠定比尔·杜克电影风格。《卧龙战警》首映时曾获海外动作片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1980年代）好莱坞（好莱坞）优秀动作片齐名。
11、被称为动作片的开先河之作的《卧龙战警》，是比尔·杜克最好的作品吗?
从比尔·杜克斩获动作片最佳导演 我就觉得这部《卧龙战警》是他最好的电影。虽然比尔·杜克后来还拍出来了评价特别好的电影，但是《卧龙战警》是他电影的代表作品。
12、《卧龙战警》为什么可以成为经典？
提起美国电影，人们就肯定会说出《卧龙战警》的名字。这部由比尔·杜克导演，劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯主演的《卧龙战警》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连比尔·杜克导演和劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯，都没想到这部动作片会得到这样好的反响。比尔·杜克先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《卧龙战警》开拍之前，劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯已经有4年无戏可拍，而劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯主演的电影，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在电影中投入的热情，是我们难以想象的，其实《卧龙战警》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典动作片，也成就了他们自己！
21、如何评价《卧龙战警》?
《卧龙战警》口碑非常好深受广大观众喜爱，《卧龙战警》一经播放立刻引来无数人点赞，不仅劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯演的好而且该电影故事情节也非常紧凑，西瓜影院（http://www.szjiaheng.com）观看起来特别流畅同时还能扣人心弦，虽然目前《卧龙战警》收视率一般但是该片目前受欢迎程度已经名列前茅。该剧主演劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯，她在该剧中的演技可圈可点，受到劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯演的好而且该电影迷的认可。
27、《卧龙战警》电影的主要内容
《卧龙战警》是一部动作片电影，由导演：比尔·杜克执导，主演：劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯，
Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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