片名：嗨，妈妈！
关键词：嗨，妈妈！免费在线观看
电影类别:喜剧片
发行年份：1970
首映地区：美国
导演：布莱恩·德·帕尔玛
演员：罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特
更新时间：2024-05-05 01:45
《嗨，妈妈！》讲述的是什么故事？
In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.
But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).
In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.
imdb comment
10、《嗨，妈妈！》是哪一年上映的？
《嗨，妈妈！》是布莱恩·德·帕尔玛于1970年拍摄的一部经典喜剧片。此片开创美国当代喜剧片的先河，《嗨，妈妈！》上映时票房稳坐前三，创下当年纪录。当时罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特均为最佳主角，罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特以精彩演技和突出形象，奠定在美国影坛地位。罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特饰演角色造型多年后仍为人所模仿。布莱恩·德·帕尔玛之前曾被人怀疑其能力，而《嗨，妈妈！》却奠定布莱恩·德·帕尔玛电影风格。《嗨，妈妈！》首映时曾获海外喜剧片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1980年代）好莱坞（好莱坞）优秀喜剧片齐名。
11、被称为喜剧片的开先河之作的《嗨，妈妈！》，是布莱恩·德·帕尔玛最好的作品吗?
从布莱恩·德·帕尔玛斩获喜剧片最佳导演 我就觉得这部《嗨，妈妈！》是他最好的电影。虽然布莱恩·德·帕尔玛后来还拍出来了评价特别好的电影，但是《嗨，妈妈！》是他电影的代表作品。
12、《嗨，妈妈！》为什么可以成为经典？
提起美国电影，人们就肯定会说出《嗨，妈妈！》的名字。这部由布莱恩·德·帕尔玛导演，罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特主演的《嗨，妈妈！》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连布莱恩·德·帕尔玛导演和罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特，都没想到这部喜剧片会得到这样好的反响。布莱恩·德·帕尔玛先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《嗨，妈妈！》开拍之前，罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特已经有4年无戏可拍，而罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特主演的电影，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在电影中投入的热情，是我们难以想象的，其实《嗨，妈妈！》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典喜剧片，也成就了他们自己！
21、如何评价《嗨，妈妈！》?
《嗨，妈妈！》口碑非常好深受广大观众喜爱，《嗨，妈妈！》一经播放立刻引来无数人点赞，不仅罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特演的好而且该电影故事情节也非常紧凑，西瓜影院（http://www.szjiaheng.com）观看起来特别流畅同时还能扣人心弦，虽然目前《嗨，妈妈！》收视率一般但是该片目前受欢迎程度已经名列前茅。该剧主演罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特，她在该剧中的演技可圈可点，受到罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特演的好而且该电影迷的认可。
27、《嗨，妈妈！》电影的主要内容
《嗨，妈妈！》是一部喜剧片电影，由导演：布莱恩·德·帕尔玛执导，主演：罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特，
In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.
But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).
In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.
imdb comment
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