片名：牛头怪
关键词：牛头怪免费在线观看
电影类别:剧情片
发行年份：2015
首映地区：墨西哥
导演：尼古拉斯·佩雷达
演员：内详
更新时间：2023-03-17 02:38
《牛头怪》讲述的是什么故事？
Acclaimed Mexican-Canadian auteur Nicolás Pereda returns to the Festival with Minotaur, a pendant to his 2009 feature Juntos. Shot in the Mexico City apartment of Pereda's signature actor Gabino Rodríguez, Minotaur is an incandescent chamber piece that observes three thirtysomethings (Rodríguez, Luisa Pardo and Francisco Barreiro) as they sleep, dream, read, and receive visitors (including the housekeeper who takes care of them) in their communal space. A lovely and lethargic spell is cast as an ambiguous, Marienbad-like love triangle emerges among the trio, conveyed through literature (books function as telepathic transmitters and definers of relationships), choreography, and the acute physical presence of the three leads. Extending Pereda's recurring interests in class, social structure and family relations in Mexican society in its wraithlike fantasy of a leisure class that is quite literally sustained in its narcoleptic existence by the ministrations of the domestic help, Minotaur evokes the films of Tsai Ming-liang in its distended naturalism, ritualistic solitude, and creation of a cloistered world suffused with longing. The surreal aura of Minotaur seeps beyond the confines of the trio's apartment into a strange "night without distance" in Lois Patiño's hallucinatory portrait of border smuggling in the Gerês Mountains between Portugal and Galicia. Casting real townsfolk, some of whom were smugglers in their youth, Patiño places their stiffly Straubian presences within cross-processed, multilayered tableaux of rocks, river, and trees — an ever-indeterminate place that has imbibed and borne witness to innumerable, desperate acts of survival. Conjuring an instant in the memory of a landscape filled with ghosts, Night without distance extracts spellbinding fantasy from the real.
10、《牛头怪》是哪一年上映的？
《牛头怪》是尼古拉斯·佩雷达于2015年拍摄的一部经典剧情片。此片开创墨西哥当代剧情片的先河，《牛头怪》上映时票房稳坐前三，创下当年纪录。当时内详均为最佳主角，内详以精彩演技和突出形象，奠定在墨西哥影坛地位。内详饰演角色造型多年后仍为人所模仿。尼古拉斯·佩雷达之前曾被人怀疑其能力，而《牛头怪》却奠定尼古拉斯·佩雷达电影风格。《牛头怪》首映时曾获海外剧情片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1980年代）好莱坞（好莱坞）优秀剧情片齐名。
11、被称为剧情片的开先河之作的《牛头怪》，是尼古拉斯·佩雷达最好的作品吗?
从尼古拉斯·佩雷达斩获剧情片最佳导演 我就觉得这部《牛头怪》是他最好的电影。虽然尼古拉斯·佩雷达后来还拍出来了评价特别好的电影，但是《牛头怪》是他电影的代表作品。
12、《牛头怪》为什么可以成为经典？
提起墨西哥电影，人们就肯定会说出《牛头怪》的名字。这部由尼古拉斯·佩雷达导演，内详主演的《牛头怪》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连尼古拉斯·佩雷达导演和内详，都没想到这部剧情片会得到这样好的反响。尼古拉斯·佩雷达先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《牛头怪》开拍之前，内详已经有4年无戏可拍，而内详主演的电影，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在电影中投入的热情，是我们难以想象的，其实《牛头怪》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典剧情片，也成就了他们自己！
21、如何评价《牛头怪》?
《牛头怪》口碑非常好深受广大观众喜爱，《牛头怪》一经播放立刻引来无数人点赞，不仅内详演的好而且该电影故事情节也非常紧凑，西瓜影院（http://www.szjiaheng.com）观看起来特别流畅同时还能扣人心弦，虽然目前《牛头怪》收视率一般但是该片目前受欢迎程度已经名列前茅。该剧主演内详，她在该剧中的演技可圈可点，受到内详演的好而且该电影迷的认可。
27、《牛头怪》电影的主要内容
《牛头怪》是一部剧情片电影，由导演：尼古拉斯·佩雷达执导，主演：内详，
Acclaimed Mexican-Canadian auteur Nicolás Pereda returns to the Festival with Minotaur, a pendant to his 2009 feature Juntos. Shot in the Mexico City apartment of Pereda's signature actor Gabino Rodríguez, Minotaur is an incandescent chamber piece that observes three thirtysomethings (Rodríguez, Luisa Pardo and Francisco Barreiro) as they sleep, dream, read, and receive visitors (including the housekeeper who takes care of them) in their communal space. A lovely and lethargic spell is cast as an ambiguous, Marienbad-like love triangle emerges among the trio, conveyed through literature (books function as telepathic transmitters and definers of relationships), choreography, and the acute physical presence of the three leads. Extending Pereda's recurring interests in class, social structure and family relations in Mexican society in its wraithlike fantasy of a leisure class that is quite literally sustained in its narcoleptic existence by the ministrations of the domestic help, Minotaur evokes the films of Tsai Ming-liang in its distended naturalism, ritualistic solitude, and creation of a cloistered world suffused with longing. The surreal aura of Minotaur seeps beyond the confines of the trio's apartment into a strange "night without distance" in Lois Patiño's hallucinatory portrait of border smuggling in the Gerês Mountains between Portugal and Galicia. Casting real townsfolk, some of whom were smugglers in their youth, Patiño places their stiffly Straubian presences within cross-processed, multilayered tableaux of rocks, river, and trees — an ever-indeterminate place that has imbibed and borne witness to innumerable, desperate acts of survival. Conjuring an instant in the memory of a landscape filled with ghosts, Night without distance extracts spellbinding fantasy from the real.
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